Category: At the Film Museum
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Notes from Forever Film: “Film and Reality”
Notes on “Film and Reality,” one of the first films produced by a film archive and a very early example of a compilation film. […]
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Notes from Forever Film: “Grauzone”
During our retrospective “Forever Film”, Patrick Holzapfel is going to publish notes to the screenings. His first entry deals with Fredi M. Murers fascinating “Grauzone.” […]
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B-Hamlet
Edgar G. Ulmer ist einer der Regiestars unserer B-Film-Reihe. Ein Text von Stefan Grissemann aus dessen Buch “Mann im Schatten. Der Filmemacher Edgar G. Ulmer” befasst sich mit “Strange Illusion”, dem B-Hamlet zwischen kalifornischer Idylle und versteckten Verbrechen. […]
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Drawn in & at a Distance – On the seductive reflexivity in the work of Deborah Stratman
Deborah Stratman uses the technology of film as a jet pack which allows us to call into question the cast-iron laws by which we as humans define ourselves, our history, the present world we live in and thus our potentials. Alejandro Bachmann writes about her work. […]
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At the Edge of Fassbinder
What can the neglected parts of Rainer Werner Fassbinder’s œuvre – his radio plays and his theater films made for television – tell us about his work? […]
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Fragebogen: Rainer Werner Fassbinder
Filmkritikerin Alexandra Zawia hat sich unseren Fragen zu Rainer Werner Fassbinder gestellt. Es geht um dessen Relevanz heute, Feminismus, Kapitalismuskritik und Chaos. […]
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Not Only Shadows: A Conversation on Maurice & Jacques Tourneur
In May the Austrian Film Museum aimed to listen for consonance between the two oeuvres of Jacques Tourneur and his father Maurice Tourneur. The season’s curator, Christoph Huber, sat down with Patrick Holzapfel to discuss the relations between father and son. […]
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Filmemacherinnen im Filmmuseum – eine Liste
Eine Liste der Filmemacherinnen, die wir im Österreichischen Filmmuseum bis heute gezeigt haben. Es ist uns wichtig die Arbeit von Frauen im Kino – übers Kino – fürs Kino – noch stärker sichtbar zu machen. […]
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Astrologen, Träumer & Verliebte – Einige (Gegen-)Gedanken zu Johann Lurfs ★
Einige Überlegungen zu Johann Lurfs ★ und dem fehlenden Gegenschuss im Film. […]
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The Mandarin – A Zeitgeist
“Der Mandarin” was released in at least six of Vienna’s inner city cinemas simultaneously, with multiple screenings a day, adding up to approximately 2600 seats. Most advertisements focused on the film’s cast. […]

