• Notes from Forever Film: “The Half-Breed”

    Notes from Forever Film: “The Half-Breed”

    The weight of knives and more saved ladies in Allan Dwan’s “The Half-Breed” presented by the Cinémathèque française. […]

  • Notes from Forever Fim: “Expedicion Giró”

    Notes from Forever Fim: “Expedicion Giró”

    Parachuting dogs and doubts about the versatility of the program. […]

  • Notes from Forever Film: “Maria do Mar”

    Notes from Forever Film: “Maria do Mar”

    What a fitting metaphor for a retrospective about international archival work is a film about a woman being saved from drowning. “Maria do Mar” is more than that, much more. […]

  • Notes from Forever Film: “Lime Kiln Club Field Day”

    Notes from Forever Film: “Lime Kiln Club Field Day”

    MoMa brought their archival assembly of “Lime Kiln Club Field Day” to the retrospective. White producers stopped the shooting of this film made by a pioneering cast of African-American performers led by the famed Caribbean-American entertainer Bert Williams. […]

  • Notes from Forever Film: “Valkoinen peura”

    Notes from Forever Film: “Valkoinen peura”

    “Valkoinen peura” (The White Reindeer) is a beautiful and haunting film made in white and black. The contributions of Kansallinen audiovisuaalinen instituutti ask important questions about ethics in relation to working with film. […]

  • Notes from Forever Film: “Sånt händer inte här”

    Notes from Forever Film: “Sånt händer inte här”

    “The disadvantage of film is that it remains.“, wrote Ingmar Bergman. “Sånt händer inte här” is a film he was embarrassed about to a degree that made him prohibit screenings of it. In the year of his centenary the Swedish Film Institute brought this rarely seen film as a gift. […]

  • Notes from Forever Film: “30 Years of Motion Pictures”

    Notes from Forever Film: “30 Years of Motion Pictures”

    A definition of cinema as a means of capturing milestones in the progress of the world lies at the core of “30 Years of Motion Pictures,” the second compilation film of “Forever Film”. […]

  • Notes from Forever Film: “White Shadows in the South Seas”

    Notes from Forever Film: “White Shadows in the South Seas”

    Bringing the legendary “White Shadows in the South Sea” directed by W.S. Van Dyke and Robert J. Flaherty (who left the project) as a gift, the George Eastman Museum not only chose a unique print for presentation but also one that talks about the inevitability and beauty of decay in… […]

  • Notes from Forever Film: “Yadanabon”

    Notes from Forever Film: “Yadanabon”

    Notes on one of the most special gifts for the retrospective: A 35mm copy of “Yadanabon,” a film from Myanmar in Burmese language with Czech subtitles presented by Národní filmový archiv. […]

  • Notes from Forever Film: “Film and Reality”

    Notes from Forever Film: “Film and Reality”

    Notes on “Film and Reality,” one of the first films produced by a film archive and a very early example of a compilation film. […]

  • Notes from Forever Film: “Grauzone”

    Notes from Forever Film: “Grauzone”

    During our retrospective “Forever Film”, Patrick Holzapfel is going to publish notes to the screenings. His first entry deals with Fredi M. Murers fascinating “Grauzone.” […]

  • Neapel 1906

    Neapel 1906

    Zum Auftakt unserer Elvira-Notari-Schau veröffentlichen wir einen Text aus der schönen Publikation “Transito. Elvira Notari – Kino der Passage”. Annabella Miscuglio führt ein in die Welt der großen Filmemacherin rund um Neapel und das Leben zwischen Freiheit und Familie. […]