What can the neglected parts of Rainer Werner Fassbinder’s œuvre – his radio plays and his theater films made for television – tell us about his work?
Filmkritikerin Alexandra Zawia hat sich unseren Fragen zu Rainer Werner Fassbinder gestellt. Es geht um dessen Relevanz heute, Feminismus, Kapitalismuskritik und Chaos.
In May the Austrian Film Museum aimed to listen for consonance between the two oeuvres of Jacques Tourneur and his father Maurice Tourneur. The season’s curator, Christoph Huber, sat down with Patrick Holzapfel to discuss the relations between father and son.
Eine erste Begegnung mit dem Kino des Herrn Charel…
Eine Liste der Filmemacherinnen, die wir im Österreichischen Filmmuseum bis heute gezeigt haben. Es ist uns wichtig die Arbeit von Frauen im Kino – übers Kino – fürs Kino — noch stärker sichtbar zu machen.
Einige Überlegungen zu Johann Lurfs ★ und dem fehlenden Gegenschuss im Film. Unser In person zu Lurf geht vom 8. bis zum 11. März 2018.
Like a jinn from a bottle, the mandarin rises from a palm-sized figurine to a fully grown human projection – the statue that came to life: the magic of cinema. The antagonist whose name and function give the film its…
Eve Heller studied under Brakhage and talks about her experience with him somewhere between admiration, inspiration and necessary emancipation.
Taking our retrospective of the films of Mario Monicelli as a starting point, Christoph Huber and Patrick Holzapfel discuss the neglected history of assistant directors in cinema.
Detroit-based painter Lizzie Borden discovered alternative approaches to cinema in the early 1970s, making her self-taught debut with the (long considered lost) women’s group film essay Regrouping (1976). The anarchic future vision Born in Flames (1983) made her an icon…